

El-Escritor.com
• Editor@El-Escritor.com |
FEATURE
ARTICLE
On Guard, America!
|
| |
Contents
|
|
Back
to
Previous
Page |
On Guard, America! Page
3
|
|
|
Salle d'Escrime
Fencing is sport, as well as healthful
excercise, building confidence as it engenders friendships. Our
Arizona club, Salle d'Escrime, has a hall in the Prescott
Racquet Club, nestled among stately Ponderosas bordering the
National Forest. We are fortunate indeed to have as our coach
the Arizona state representative to the USFA, Mrs. Patricia
Waples.
|
|
|
Like many of us, Pat Waples started
fencing in college, at Northwestern. She has fenced throughout
her adult life, competitively and recreationally, in the US and
in England. Waples has a habit of starting fencing clubs. Every
time she and her husband have moved, she is approached by a
couple who want to learn to fence and before long finds herself
with a salle of dozens of fencers. Waples estimates there
are currently 60 to 70 equipped fencers in Northern Arizona; to
her knowledge, our Salle d'Escrime is the singular club.
At the rate with which fencing is growing as a sport, our great
little hall may soon be too small.
|

A typical Tuesday night at Salle d'Escrime, in Prescott,
Arizona. Coach Pat Waples conducts the class in classical
fencing form.
Photo
by Ron Harris
|
|
Fencing's Future
From the looks of things, the
popularity of fencing will continue to grow. Movies influence
public interest and swashbuckling films like The Three
Musketeers, By the Sword, The Fencing Master and so many others,
have started many a fencer on a lifetime of fun, historical
re-enactments
and healthful exercise. And swordsport will doubtless benefit
from the new James Bond film starring Pierce Brosnan and
Madonna; she plays a fencing instructor and Bond has a
swordfight with the villain! We reckon our little salle
will host some new students.
|
|
|
|
Like swashbuckler Douglas Fairbanks, the U.S. is beset by
pirates from the world's seven seas and we must always be On
Guard.
Photo courtesy of the
Garraway Company and
The Museum of Modern
Art Film Library. |
|
|
But let's hope fencing's popularity
doesn't change it too much. There are those fencers who long for
celebrity and spectators, craving their fifteen minutes of fame
before TV's cycloptean eye. This cabal favors foolishness like
colored uniforms with lightning streaks down the legs, sponsor
patches and Dr. Seuss stripes on their stockings, the NASCAR
look come to fencing. Some ego deficiency in them begs the
applause of an audience; they fence for the wrong reasons and
many need the services of a coach like Pat Waples to bring them
down to earth and back to the principles and fundamentals of
fencing. All change is not progress and dazzle is no substitute
for good form.
But fencing will survive
these transient yuppifications if we can muster the will to hold
fast to our centuries of tradition. Fencing is a personal,
intimate sport and needs not the glitz of show business, the
inflated finance of pro sports nor the greed and politics of the
Olympics for its popularity and growth. Like our American
society, fencing will stand or fall
on the merits and integrity of individual participants and like
society, we must ignore external pressures and always remain On
Guard!

|
|
|
|
Sources
and Suggested Reading
Evangelista,
Nick "The Art and Science of Fencing"
Masters Press, 1996, ISBN 1-57028-075-4
|
|
|
|
|
U.S.
Fencing Fact Book
U.S. Fencing Association
One Olympic Plaza
Colo. Springs, CO 80900
Phone: 719-578-4511
Fax: 719-632-5737
www.usfencing.org |
Triplette
Competition Arms
331 Standard Street
Elkin, NC 28621
Phone: 336-835-7774
Fax: 336-835-4099
www.triplette.com |
American
Fencers Supply
1180 Folsom Street
San Francisco, CA 94103
Phone 415-863-7911
Fax: 415-431-4931
amfence@amfence.com |
|
|
|
|
|
George
Santelli Fencing
465 South Dean Street
Englewood, NJ 07631
www.santelli.com |
Museum
Replicas/Atlanta Cutlery
Box 840
Conyers, GA 30012
800-883-8838
www.museumreplicas.com
|
|
|
| |
|
Fencing Resources
- fencing-related news, books and web resources.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Contents |
 |
 |
 |
 |
 |
 |
 |
 |
|